Lee Bontecou. Fifth Stone, 1964. Courtesy of the Art Institute of Chicago.
The images of Lee Bontecou (American, born 1931) are unmistakably hers: black voids, cosmic orbs, floating serrated teeth, mutant flowers, and strange, hybrid forms. They reflect a post–World War II angst and existential fear brought on by the arms race and nuclear threat, coupled with awe at a technology capable of space travel. While best known for her wall reliefs that bridge the divide between painting and sculpture, Bontecou produced a series of important prints between 1962 and 1982 at Universal Limited Art Editions (ULAE), a workshop founded by Tatyana Grosman in West Islip, New York, in 1957. This exhibition is the first show devoted to Bontecou’s prints since 1975 and is drawn from the Art Institute’s complete edition and significant archive of her ULAE production.