The Prison Concerts: Folsom And San Quentin

Oct 23, 2018 - Feb 17, 2019

Exhibition Overview

johnny cash

Jim Marshall, Johnny Cash at Folsom Prison, 1968. Photograph.

Widely known as the godfather of music photography, the late Jim Marshall maintained a 50-year career that resulted in more than 500 album covers, an abundance of magazine covers, and some of the most celebrated images in blues, jazz, country, and rock and roll, including those from Johnny Cash's notable Folsom and San Quentin prison concerts. To showcase these powerful snapshots of a legendary musician by a legendary photographer, the GRAMMY Museum® proudly presents The Prison Concerts: Folsom And San Quentin (Jim Marshall's Photographs Of Johnny Cash), a new exhibit showcasing Marshall's photos from Cash's historic prison concerts in 1968 and 1969 featured in the art book Johnny Cash At Folsom & San Quentin. The exhibit will open on Oct. 23, when Amelia Davis, Jim Marshall's longtime assistant and the sole beneficiary of his estate; John Carter Cash, Johnny Cash's son; and Scott Bomar, author of Johnny Cash At Folsom & San Quentin; will discuss the stories behind these photographs at the Clive Davis Theater as part of the Museum's An Evening With program moderated by GRAMMY Museum Artistic Director Scott Goldman. The exhibit will run through February 2019.

The Prison Concerts: Folsom And San Quentin (Jim Marshall's Photographs Of Johnny Cash) will offer a definitive view of Cash's prison concerts, featuring candid and performance images of these two memorable concerts that solidified Cash's status as an outlaw king. Personally requested by Cash himself, Marshall was the only official photographer present at the concerts. He was granted unlimited access to Cash, June Carter, and their entire entourage. Cash, a staunch advocate for prisoner's rights, wanted these concerts to be memorialized not only by the recordings, but also in pictures. Cash did these two concerts to shine a light on the terrible conditions and prisoner abuse that were rampant at the time.

(Photo courtesy of Jim Marshall and the GRAMMY Museum.)

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