Allen Ruppersberg: Intellectual Property 1968–2018

10 February–12 May 2019

Exhibition Overview

Allen Ruppersberg.jpg

Allen Ruppersberg, The Singing Posters: Allen Ginsberg's Howl by Allen Ruppersberg (Parts I-III), 2003/2005 (detail). Commercially printed letterpress posters.

This major retrospective on the work of Conceptual artist Allen Ruppersberg (b. 1944, Cleveland) marks the artist’s first comprehensive US survey in over 30 years. Many of the works included, from private and public collections in Europe and elsewhere, have never before been exhibited in US museums.

The exhibition charts Ruppersberg’s key themes: movement between places, presence and absence, the book as object and subject, memorials, and self-portraiture. It also reveals his reverence for cultural forms “destined to disappear,” from postcards and wall calendars to hand-painted signs and early recorded music. Perhaps more than any other artist of his generation, Ruppersberg has mined the nuances of culture through its visual details, unsung conventions, and modes of the everyday, often encouraging the involvement of the viewer as social participant, an aspect of his work that has had particular resonance with a younger generation of artists.

(Courtesy the artist and Greene Naftali, New York; photo courtesy Skirball Museum, Skirball Cultural Center, Los Angeles; photo: Robert Wedemeyer.)

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