Fernando Palma Rodríguez: In Ixtli in Yolotl

15 April–10 September 2018

Exhibition Overview


Fernando Palma Rodríguez (Mexican, b. 1957) combines his training as an artist and mechanical engineer to create kinetic sculptures that utilize robotics and custom software to perform complex, narrative choreographies. His works respond to issues facing indigenous communities in Mexico, addressing human and land rights, violence, and urgent environmental crises. Palma Rodríguez lives in the agricultural region of Milpa Alta outside Mexico City, where he runs Calpulli Tecalco, a non-profit organization dedicated to the preservation of Nahua language and culture. This marks the first solo museum exhibition of the artist's work in the US.

Central to the Palma Rodríguez’s practice is an emphasis on indigenous ancestral knowledge, both as an integral part of contemporary life and a way of shaping the future. Drawing on Aztec mythology and pictorial codices—as well as colonial histories—his works reframe language through the physical activation of these symbols. He often brings together evolving traditions with present-day concerns through a mix of cultural references and materials, from robotic constructions and found objects (work boots and sewing machines) to organic materials (seeds, soil, and feathers). Through their constant and complex movements, these works transform seemingly static symbols into active agents.

The exhibition includes works made over the past two decades, several of which have been recently restored in collaboration with engineering students at Universidad Tecnológica de Valles Centrales de Oaxaca as part of his recent retrospective exhibition at the Museo de Arte Contemporáneo de Oaxaca, Guex Liu, Kuu ñunro, Totlahuan, organized by Oliver Martínez Kandt.

(Photo: Fernando Palma Rodríguez. Papalutzin. 2011. Microcontrollers, light sensors, electronic sensor and aluminum. Image courtesy the artist and House of Gaga, Mexico City)

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