Down These Mean Streets: Community and Place in Urban Photography

Exhibition Overview


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Rather than approach the neighborhoods as detached observers, these artists deeply identified with their subject. Activist and documentary photographer Frank Espada captured humanizing portraits of urban residents in their decaying surroundings. Hiram Maristany and Winston Vargas lovingly captured street life in historic Latino neighborhoods in New York City, offering rare glimpses of bustling community life that unfolded alongside urban neglect and community activism. Working in Los Angeles, Oscar Castillo captured both the detritus of urban renewal projects and the cultural efforts of residents to shape their own neighborhoods. Perla de Leon’s poignant photographs of the South Bronx in New York—one of the most iconic blighted neighborhoods in American history—place into sharp relief the physical devastation of the neighborhood and the lives of the people who called it home.

John Valadez’s vivid portraits of stylish young people in East Los Angeles counter the idea of inner cities as places of crime. Camilo José Vergara and Anthony Hernandez adopt a cooler, conceptual approach in their serial projects, which return to specific urban sites over and over, inviting viewers to consider the passage of time in neighborhoods transformed by the urban crisis. The barren “concrete” landscapes of Ruben Ochoa and Manuel Acevedo pivot on unconventional artistic strategies such as the merging photography and drawing, to inspire a second look at the physical features of public space that shape the lives of urban dwellers.

(Image courtesy of Museo del Barrio)

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